Enrique 'Quique' Juarez, idealistic, union, and especially montonero filmmaker, talking about it is talking about Argentina, marked a moment in history, a cultural activist generation, Quique remember is to recognize the memory of a country that since he started filmmaking, has never stopped.
started with Nemesio Juárez, brother of Henry, the most suitable for presentation, sharing not only their blood, but moments of cinema that the end is what still keeps alive his brother, then to enter family, we are introduced to the children of Quique and his nephews, sons of Nemesio, the Juárez on the screen. On the other hand are friends, his generation, with la que compartió las alegrías e infortunios que un cineasta pueda pasar, y la gran consciencia social que sólo un revolucionario pueda tener.
Corrían los 70 y el cine social abordaba Latinoamérica, el cine comenzaba a ser antes que todo una manera de expresión, y Argentina era un gran representante, no sólo se era cineasta sino militante y en la mayoría de veces lo segundo por encima de lo primero, había censura, las clases sociales estaban marcadas y todo eso se tenía que decir y una cámara de 16mm era el mejor instrumento para hacerlo, era un arma. Eso lo entendió Quique, y llegó a los extremos, abandonando a veces a su familia para cumplir su sueño, que iba más beyond a Peronist Argentina , going beyond a film Argentina. So he had to leave too early, maybe it was coincidence, perhaps causal, we do not know, still I keep asking.
But are their rolls, rusty by the time jealously guarded by their children to remember, to feel his presence and know what small never knew, in film there is to talk, rebuke, and why not, forgive him.
David Balustein to reveal fragments of Quique and left a generation marked the essence of Latin cinema gives us a lesson by heart, we pull the ear, and we repeat that to know and understand we have to revive the memory and continue creating it as well, although we are no longer continue to exist.
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